<\/p>\n
<\/p>\n
They are looking for new forms. For the undiscovered sound and the still unspoken word. Since their founding on April 1, 1980, Einst\u00fcrzende Neubauten have been shifting the parameters of mainstream and subculture to make the inaudible audible. And perhaps also the unheard. A field research experiment spanning four decades that is now entering the next stage. In its 44th year of existence, the formation is going far back to its roots in order to redefine itself at the same time. A changed self-image for which the Berlin quintet plus eins 2024 created its own genre: apm - alien pop music.<\/p>\n
Constant development \u2013 that is how you could briefly summarize the work of Einst\u00fcrzende Neubauten. A musical evolution that began with the debut album \u201cKollaps\u201d released in 1981 and is now manifested in the album \u201cRampen \u2013 apm: alien pop music\u201d to be released on April 24th, on which Blixa Bargeld, NU Unruh, Alexander Hacke, Jochen Arbeit, Rudolph Moser and Felix Gebhard present themselves from their most unpredictable and idiosyncratic side. On their new album, Neubauten put an end to all sound speculation \u2013 albeit a late one.<\/p>\n
Since the mid-1980s, Einst\u00fcrzende Neubauten have been experimenting on stage with so-called ramps: public improvisations with an open development and outcome; launch pads into the still unexplored, which the band performed in the encore section of their last "Alles in Allem" tour in 2022 and the recordings of which serve as the basis for the new album.<\/p>\n
\u201cRampen \u2013 apm: alien pop music\u201d is pop music for parallel universes and in-between worlds. For hyperspaces and interzones. Microcosmic and intergalactic at the same time. A demimondean assertion outside all physical laws, with which Einst\u00fcrzende Neubauten enter a stylistic no-man\u2019s land between past and future. On the one hand, a return to the roots, on the other hand, a new art form emerges from loud eruptions of bangs, met with cryptic, often fragmentary lyrics: popular music for aliens and outsiders. Anti-pop has become alien pop. Strange. Cocoon-like. Unheard. Sonus inauditus. Not entirely unintentionally, the reduced cover artwork is reminiscent of the iconic layout of the Beatles\u2019 \u201cWhite Album\u201d. \u201cBased on the idea that Einst\u00fcrzende Neubauten are just as famous in another solar system as the Beatles are in our world,\u201d says Blixa Bargeld about the balancing act between avant-garde and tongue-in-cheek, provocation and pop-cultural discontinuity.<\/p>\n
This also directly sets the central theme that runs like a thread through all the songs: change, utopian thought experiments and transience.<\/p>\n
"I found a few solutions on the record and formulated things that I hadn't formulated before because they weren't so clear to me. I'm someone who thinks I can gain knowledge through music. It's always been like that. The conviction that I'll find something in music that I didn't know before. And that I'll sing something that I didn't know before. Something that turns out to be the truth. Or at least makes sense if you want to keep it a little smaller." This album represents the next stage of evolution, where you've finally left familiar language behind. And the opening up of further, infinite possibilities: alien pop music<\/p>","protected":false},"excerpt":{"rendered":"
Einst\u00fcrzende Neubauten pr\u00e4sentieren ihr neues Album. Europa Tour im Herbst 2024
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