
"Death Duel" is perhaps the most famous sermon in the world, delivered by the eloquent metaphysical poet John Donne in the presence of King Charles I in 1631. They are John Donne's last publicly spoken words before his death and eternal silence. Marked by serious illness, he, the poet and preacher of St. Paul's in London, describes life as a duel with death, achieving a depth and intensity that goes beyond any sermon. His text is an explosion. True, shocking, ruthless in its view of the transience of life and at the same time full of a power and hope that surpasses death. In John Donne's "Death Duel", life wins.
As in his examination of "Judas", which began in the Berlin Cathedral and thrilled over a quarter of a million spectators in an unprecedented series of performances, Ben Becker's "Death Duel" is concerned with the ultimate questions. Becker's "Judas" was the vindication and rehabilitation of an unjustly ostracized figure, against all prejudices and hostilities. "Death Duel" goes one step further: It is the fight against prejudices about death and for a changed view of the meaning of life.
The "death duel" is not only musically embodied and continued by the virtuoso playing of the cathedral organist Andreas Sieling on the large Sauer organ, as well as arrangements made exclusively for the production by Daniel Ott (MEA/Vienna). Ben Becker also pays tribute to the poet of the great duel with death with another text. "Great Elegy to John Donne" is what Nobel Prize winner Joseph Brodsky called his homage to the master of metaphysical poetry, whose "student" he described himself as throughout his life. There is no other work in which the echo of John Donne resonates so much and is transformed into remembrance and thoughts. With this "Elegy", Ben Becker gives his death duel a fascinating finale and pays homage to the great poetry of John Donne.
Like Ben Becker's "Judas" back then, the world premiere of "Death Duel" will take place in the Berlin Cathedral - the partner church of St. Paul's Cathedral in London, the former place of work of John Donne, where his monument still stands today.
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